Formed in Boston in 1993 by Geoff Farina, Eamonn Vitt and Gavin McCarthy, Karate added Jeff Goddard on bass in 1995. The band released six studio albums, two EPs, numerous singles, and split 7”s between 1994 and 2005. From punk roots, the band ventured widely—veering into jazz-rock, post-rock and a unique version of slowcore in its progressive indie experimentation.
The band re-emerges in Fall 2024 with Make It Fit, its first new studio record since 2004’s Pockets. Make It Fit, the band’s first album in 20 years, doesn’t try to recapture a youthful, DIY-era magic. Instead, it picks up where Karate’s three musicians are today: with a deeper skillset, adult angst cut through with moments of joy, punctuated with searing instrumental performances.
Make It Fit is the opposite of a cynical cash-in. It’s daring, requiring a full commitment from band and audience. And Karate’s reunion is soaking in gratitude.
This time around, Farina says he appreciates it all more. “I appreciate that I’m playing a show. I used to get up on stage and be annoyed at this and be annoyed at that. Now I get up on stage and feel incredibly lucky. Just being able to do it again is so much fun. Just hearing us together on stage feels so right."
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The music of the newly re-branded Kinsella & Pulse, LLC - previous albums by the duo were released as Good Fuck and simply Tim Kinsella & Jenny Pulse - contains some of the most forward-thinking postmodern pop of the past decade. Their latest, Open ing Night, follows 2023’s acclaimed Giddy Skelter and delivers a tantalizing left turn that finds the maverick experimentalists’ restless imaginations and formidable skills undiminished.
While the meticulously crafted audio mosaic Giddy Skelter showcased the duo’s innovative production and skillful sound design, Open ing Night offers listeners a more natural perspective. The fruits of this strategy can be heard, in particular, throughout the entire first half of Open ing Night, a five-part suite recorded in one uninterrupted take that plays more like a well-curated DJ set than a traditional album side.
Imagine if SST-era Sonic Youth had been influenced less by Glenn Branca and the Ramones than by Juan Atkins and The Residents. Such is the intoxicating and irresistible duality of Kinsella & Pulse, LLC, who, with Open ing Night, deliver their finest work to date.