Somewhere below the Weinebene, between Styria and Carinthia, one of the largest lithium deposits in the EU can be found. The deposit was discovered at the height of the nuclear age; they were drilling for uranium, but found worthless lithium instead. Privatised decades ago for a "symbolic shilling", the "Traudl-Stollen" (“Traudl Lode”) and all associated mining rights now belong to an American-Australian mining group. "Critical Metals" plans to mine the light metal in Carinthia, process it in Saudi Arabia, and sell it to BMW as "European Lithium". A legally, ideally, and materially hollowed-out mountain as a symbol of the relationship between people and landscape in late capitalism.
The exhibition takes this local example as an opportunity to reflect on the connection between property and mountains in times of planetary and neo-colonial extraction regimes: How is it possible that individuals or companies can own mountains (and their treasures)? What symbolic, legal, and material means do states and corporations draw on to take possession of alpine landscapes? And how can we succeed in emancipating landscapes from the curse of ownership?
Curatorial team: Rose-Anne Gush, Philipp Sattler, Johanna Pichlbauer, Robin Klengel
Artists: Marwa Arsanios, Collective PARA, Fiston Mwanza Mujila a.o.